Aficionado- a serious devotee of some particular genre, thing, person, etc.
Browbeat- to discourage or frighten with threats or a domineering manner; intimidate
Commensurate- able to be measured by a common standard
Diaphanous- Of such fine texture as to be transparent or translucent
Emolument- Payment for an office or employment
Foray- an initial venture
Genre- a class or category of artistic endeavor having a particular form, content, technique, or the like: the genre of epic poetry;
Homily- An inspirational saying or platitude
Immure- To confine within or as if within walls; imprison
Insouciant- carefree or unconcerned; light-hearted
Matrix- a substance, situation, or environment in which something has its origin, takes
form, or is enclosed
Obsequies- A funeral rite or ceremony
Panache- a grand or flamboyant manner; verve; style; flair: The actor who would play Cyrano must have panache.
Persona- The role that one assumes or displays in public or society; one's public image or
Personality- as distinguished from the inner self
Philippic- a bitter or impassioned speech of denunciation; invective
Prurient- unusually or morbidly interested in sexual thoughts or practices
Sacrosanct- Regarded as sacred and inviolable
Systemic- Of or relating to systems or a system
Tendentious- having or showing a definite tendency, bias, or purpose: a tendentious novel.
Vicissitude- A change or variation
Monday, October 29, 2012
Sunday, October 28, 2012
Literary Analysis #2 The Great Gatsby
The Great Gatsby
GENERAL
1.
Briefly summarize the plot of the novel you read, and explain how the narrative
fulfills the author's purpose (based on your well-informed interpretation of
same).
Nick
Carroway, the protagonist, has recently moved from the Midwest to get his
career started in New York. He lives on the island of West Egg across from East
Egg where his extravagant friends Tom
and Daisy live. They gossip and party a lot, and Tom is cheating on Daisy with
a lady named Myrtle Wilson. Everyone knows except for Daisy and Mr. Wilson.
Nick lives next door to a mysterious man named Gatsby, who throws legendary parties, but no one knows anything about him. Nick becomes friends with him and learns that he is in love with Daisy. They almost married when they were younger, but he was too poor and decided to wait. He gets with Daisy again, and they have an affair.
Tom is suspicious of this, and he tries to prove that Gatsby is not who he seems. Daisy becomes enraged at Tom's superior chauvinist attitude, and says that she will leave Tom for Gatsby. However, she then finds out that Gatsby is not the respected pharmacist he claims to be. He gets his money through bootlegging.
Daisy then refuses to leave Tom for him, and makes him drive her home. Daisy is at the wheel when the car hits someone- coincidentally, Myrtle Wilson, Tom's other woman.
Mr. Wilson discovers his wife's affair, and asks around about the car that hit her (it is bright yellow and immediately recognizable). So, thinking that Gatsby hit her, Mr. Wilson goes to Gatsby's house and shoots him, and then shoots himself.
Gatsby dies alone, because no one shows up to his funeral except for Nick and his father. Tom and Daisy go to Chicago and Nick never sees them again.
Nick lives next door to a mysterious man named Gatsby, who throws legendary parties, but no one knows anything about him. Nick becomes friends with him and learns that he is in love with Daisy. They almost married when they were younger, but he was too poor and decided to wait. He gets with Daisy again, and they have an affair.
Tom is suspicious of this, and he tries to prove that Gatsby is not who he seems. Daisy becomes enraged at Tom's superior chauvinist attitude, and says that she will leave Tom for Gatsby. However, she then finds out that Gatsby is not the respected pharmacist he claims to be. He gets his money through bootlegging.
Daisy then refuses to leave Tom for him, and makes him drive her home. Daisy is at the wheel when the car hits someone- coincidentally, Myrtle Wilson, Tom's other woman.
Mr. Wilson discovers his wife's affair, and asks around about the car that hit her (it is bright yellow and immediately recognizable). So, thinking that Gatsby hit her, Mr. Wilson goes to Gatsby's house and shoots him, and then shoots himself.
Gatsby dies alone, because no one shows up to his funeral except for Nick and his father. Tom and Daisy go to Chicago and Nick never sees them again.
2. Succinctly describe the theme of the novel. Avoid clichés.
Of the many themes in the novel, the
one that stuck out to me the most was the shallowness of the upper class. Those
who live in West Egg are the newly rich and they are vulgar, gaudy, and lacking
in social skills. Gatsby lives in West Egg and his bright pink suit, his large
mansion, and his Rolls-Royce all help to prove the point of being overly
flashy. On the other hand, In East Egg are the rich old timers. They
demonstrate taste, class, and charisma. The characters who live in West Egg are
so used to money helping them get their way and at the end of the novel Gatsby
realizes that isn’t the case. Because of his constant need of attention from
Daisy, Gatsby does illegal things to get rich. His mansion, his car, and his money
are all attained because he wants Daisy to love him again. Gatsby ends up dead
because of all his efforts to impress Daisy.
3. Describe the author's tone. Include a minimum of three excerpts that illustrate your point(s).
This description of Tom Buchanan is
an example of a threatening tone
“He
had changed since his New Haven years.
Now he was a sturdy, straw-haired man of thirty with a rather hard mouth
and a supercilious manner. Two shining,
arrogant eyes had established dominance over his face and gave him the
appearance of always leaning aggressively forward. Not even…his riding clothes could hide the
enormous power of that body—he seemed to fill those glistening boots until he
strained the top lacing…It was a body capable of enormous leverage—a cruel
body.”
He
forms an impression of Tom with his choice of words—hard, supercilious,
arrogant, cruel. There is no mistaking
Buchanan for some gentle giant. The words have strong meaning used to represent
how intense Tom is.
A
few paragraphs later, Fitzgerald’s tone momentarily creates a different mood as
Nick walks into the beachfront living room in the Buchanan mansion. Daisy, Tom’s wife, and her friend Jordan
Baker are waiting:
“The
only completely stationary object in the room was an enormous couch on which
two young women were buoyed up as though upon an anchored balloon. They were both in white and their dresses
were rippling and fluttering as if they had just been blown back after a short
flight around the house. I must have
stood for a few moments listening to the whip and snap of the curtains and the
groan of a picture on the wall. Then
there was a boom as Tom Buchanan shut the rear windows and the caught wind died
out about the room and the curtains and the rugs and the two young women
ballooned slowly to the floor.”
The
tone here is inquisitive and wanting to know more just like the reader is. It
is not all knowing and makes it seem as we are finding things out as everyone
else is also.
Throughout
the whole book the tone is similar but in the last passage it shifts
dramatically. The tone is more down to Earth and demonstrates a negative view
on the “American Dream” This is the last passage,
“Most of the big shore places were closed now and there were
hardly any lights except the shadowy, moving glow of a ferryboat across the
Sound. And as the moon rose higher the inessential houses began to melt away
until gradually I became aware of the old island here that flowered once for
Dutch sailors’ eyes—a fresh, green breast of the new world. Its vanished trees,
the trees that had made way for Gatsby’s house, had once pandered in whispers
to the last and greatest of all human dreams; for a transitory enchanted moment
man must have held his breath in the presence of this continent, compelled into
an aesthetic contemplation he neither understood nor desired, face to face for
the last time in history with something commensurate to his capacity for
wonder.
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgasmic future that year by year recedes before us. It eluded us then, but that’s no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——
So we beat on, boats against the current, borne back ceaselessly into the past.”
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgasmic future that year by year recedes before us. It eluded us then, but that’s no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——
So we beat on, boats against the current, borne back ceaselessly into the past.”
4. Describe a minimum of ten
literary elements/techniques you observed that strengthened your understanding
of the author's purpose, the text's theme and/or your sense of the tone. For
each, please include textual support to help illustrate the point for your
readers. (Please include edition and page numbers for easy reference.)
The Great Gatsby by F. Scott
Fitzgerald, Scribner Paperback Fiction, Published by Simon & Schuster
CHARACTERIZATION
CHARACTERIZATION
1.
Describe two examples of direct characterization and two examples of indirect
characterization. Why does the author use both approaches, and to what
end (i.e., what is your lasting impression of the character as a result)?
One example of direct
characterization would be when Nick is describing Tom Buchanan. He says, “He
had changed since his New Haven years. Now he was a sturdy, straw haired man of
thirty with a rather hard mouth and a supercilious manner. Two shining,
arrogant eyes had established dominance over his face and gave him the
appearance of always leaning aggressively forward. Not even the effeminate
swank of his riding clothes could hide the enormous power of that body-he
seemed to fill those glistening boots until he strained the top lacing and you
could see a great pack of muscle shifting when his shoulder moved under his
thin coat. It was a body capable of enormous leverage-a cruel body” Pg.11
Another direct characterization
example is when Nick is describing Daisy. He says, “The other girl, Daisy, made
an attempt to rise-she leaned slightly forward with a conscientious
expression-then she laughed, an absurd, charming little laugh, and I laughed
too and came forward into the room. Her face was sad and lovely with bright
things in it, bright eyes and a bright passionate mouth-but there was an
excitement in her voice that men who had cared for her found difficult to
forget.” Pg.13
One example of indirect
characterization would be when Nick is describing Miss Baker from the way she
responds when told that Gatsby wants to speak to her. The passage reads, “She
got up slowly, raising her eyebrows at me in astonishment, and followed the
butler toward the house. I noticed that she wore her evening dress, all her
dresses, like sports clothes-there was a jauntiness about her movements as if
she had first learned to walk upon golf courses on clean, crisp mornings. ” Pg.
55
The last example of indirect
characterization is when Nick is looking around and sees a woman crying while
playing the piano. He is wondering why she is crying and another woman says “She
had a fight with a man who says he’s her husband.” Pg.56
The author uses both approaches to
characterization because it gives the novel variety when new characters are
introduced. Too much of one style would get banal and the effectiveness is
equal in both ways.
2.
Does the author's syntax and/or diction change when s/he focuses on
character? How? Example(s)?
Scott F. Fitzgeralds syntax stays
the same throughout the whole novel as it is pretty clearly understood. What does
change however, is the diction. Whenever Gatsby speaks, it shifts to much more
playful words. He constantly is calling people an “old sport” and is done lightheartedly.
An example would be when Gatsby is talking to Rather.
“Don’t mention it,” he joined me
eagerly. “Don’t give it another thought, old sport.” The familiar expression
held no more familiarity than the hand which reassuringly brushed my shoulder. “And
don’t forget we’re going up in the hydroplane tomorrow morning at nine o’
clock.”
3.
Is the protagonist static or dynamic? Flat or round? Explain.
Nick Carraway is the protagonist and
the narrator. Nick is definitely a dynamic character and in contrast, Gatsby is
a static character. Nick came to West Egg with a sense of disapproval for the
extravagant type of life and
Nick Carraway is the protagonist and also the
narrator. He gives us an inside scoop on the action as he is close with both
Daisy and Gatsby. However, he should be considered a round and dynamic
character. He expresses many emotions throughout various events in the novel
and he has problems of his own. He is human like and deep. This clearly
demonstrates how Nick Carraway is a round character. Nick Carraway can also be
a dynamic character. Above all other characters, Nick is the only one that
seems to truly learn a lesson from all of the unfortunate events. He is the
only one who realizes the seriousness of the situations in the novel,
especially surrounding Gatsby's death. Nick takes the responsibility to help
arrange the funeral for Gatsby even after he died, even though he does not have
to do anything at all.
4. After reading the book did you come away feeling like you'd met a person or read a character? Analyze one textual example that illustrates your reaction.
After reading this book, I truly felt
as if I had lived in West/East Egg for about a year. The characters were
developed well and going on this journey of meeting everyone was well worth it.
One textual example that proves that the characters were like real people is
here. Nick is asking Gatsby’s butler if Gatsby is okay.
“Is
Mr. Gatsby sick?”
“Nope.”
After a pause he added “sir” in a dilatory, grudging way.
“I
hadn’t seen him around and I was rather worried. Tell him Mr. Carraway came
over.” Pg.119
This passage shows that the
characters are human sense they have some emotions. Nick cares about Gatsby and
went to go visit him, as real friends would do.
Wednesday, October 24, 2012
Tools That Change the Way We Think
"Back in 2004, I asked [Google founders] Page and Brin what they saw as the future of Google search. 'It will be included in people's brains,' said Page. 'When you think about something and don't really know much about it, you will automatically get information.'
'That's true,' said Brin. 'Ultimately I view Google as a way to augment your brain with the knowledge of the world. Right now you go into your computer and type a phrase, but you can imagine that it could be easier in the future, that you can have just devices you talk into, or you can have computers that pay attention to what's going on around them and suggest useful information.'
'Somebody introduces themselves to you, and your watch goes to your web page,' said Page. 'Or if you met this person two years ago, this is what they said to you... Eventually you'll have the implant, where if you think about a fact, it will just tell you the answer."
-From In the Plex by Steven Levy (p.67)
The expansion of internet and social networking sites have dramatically increased over the past ten years. People are now on their smart phones for a good part of the day, even me, and I believe that has a negative impact on society. The way we think, or lack of thinking, changes due to all of the devices that occupy our time and even minds. The main affect of Google / Facebook / Twitter / Instagram etc. is that these sites are a HUGE DISTRACTION. Most kids in high school probably check their phone an average of 20 times a day during school and it has even become a problem in the classroom that the devices are distractions. They cause students to not spend as much time on their homework and in turn, receive bad grades. Sense of time is almost non existent when on your phone and priorities are all out of whack, homework moves down the list and your phone moves up. Honestly, if for one day I didn't have any electronics I would probably get all my homework done at a reasonable time. I also would get an adequate amount of sleep, but due to TV and Facebook I get less sleep than I should. I get distracted so easily and these newfangled things are to blame. Also, they give us a false sense of knowledge and our study habits have gone down the drain. Whenever we don't know something now, we turn straight to our trusted friend Google for help. We start to type something in, and what do you know.. Google even reads our minds! It's crazy how a computer can know what we are thinking and unfortunately a lot of people do just that,they let Google do all the thinking for them. We have lost our skills to solve problems on our own and think in higher ways because we rely so much on the internet. I also believe that thinkers from the past such as Aristotle and Socrates are so much better at thinking than we are! They did not check their smart phones every five minutes and when there was a problem, they sat down and solved it. That's the way that things should be but technology is a thing of the future and we need take advantage of it. Make the computer work for us, don't let the computer work you.
Answer this not-so-simple question: How does extensive Internet/media/technology use change the way you think? Focus on your memory, your ability to concentrate, your sense of time and priorities, and the subjects/topics that interest you most. If you find "thinking about your thinking" difficult to assess, try the following strategies: compare yourself with older people who did most of their formal learning before smart phones and 2.0 existed; compare yourself with contemporaries who don't use those tools much today; read up on what education leaders and thinkers have to say about generational differences in thinking (and remember to cite your sources).
Monday, October 22, 2012
Fall Vocab List #9
Abortive: failing to produce the intended result
Bruit: spread a report or rumor widely
Contumelious: scornful and insulting behavior
Bruit: spread a report or rumor widely
Contumelious: scornful and insulting behavior
Dictum: a formal pronouncement from an authoritative source; a short statement that expresses a general truth or principle
Ensconce: establish or settle
Iconoclastic: characterized by attack on established beliefs or institutions
In medias res: a narrative that begins somewhere in the middle of a story rather than the beginning
Ensconce: establish or settle
Iconoclastic: characterized by attack on established beliefs or institutions
In medias res: a narrative that begins somewhere in the middle of a story rather than the beginning
Internecine: destructive to both sides in a conflict
Maladroit: ineffective or bungling; clumsy
Maladroit: ineffective or bungling; clumsy
Maudlin: self-pitying or tearfully sentimental, often through drunkenness
Modulate: exert a modifying or controlling influence on
Portentous: of or like a portent; done in a pompously or overly solemn manner
Prescience: the power to foresee the future
Quid pro quo: a favor or advantage granted in return for something
Salubrious: health-giving, healthy; pleasant, not run-down
Saturnalia: the ancient Roman festival of Saturn in December; an occasion of wild revelry
Touchstone: a standard or criterion by which something is judged or recognized
Traumatic: emotionally disturbing or distressing; relating to or causing psychological trauma
Vitiate: spoil or impair the quality or efficiency of; destroy or impair the legal validity of
Waggish: humorous in a playful, mischievous, or facetious manner
Modulate: exert a modifying or controlling influence on
Portentous: of or like a portent; done in a pompously or overly solemn manner
Prescience: the power to foresee the future
Quid pro quo: a favor or advantage granted in return for something
Salubrious: health-giving, healthy; pleasant, not run-down
Saturnalia: the ancient Roman festival of Saturn in December; an occasion of wild revelry
Touchstone: a standard or criterion by which something is judged or recognized
Traumatic: emotionally disturbing or distressing; relating to or causing psychological trauma
Vitiate: spoil or impair the quality or efficiency of; destroy or impair the legal validity of
Waggish: humorous in a playful, mischievous, or facetious manner
Sunday, October 21, 2012
Vocab Midterm Autopsy
On my vocab midterm I got a 70 out of 80 and I did as well as I had hoped. I studied the words that I did not know for the week preceding the midterm and that seemed to help. I was confident that I got at least a 65 and my hard work paid off. For the final, I will do the same thing as I did for the midterm. I hope others can learn from this and try it out if their plan did not work.
Monday, October 8, 2012
Fall Vocab List #8
abeyance (noun) A state of temporary disuse or suspension
ambivalent (adjective) Having mixed feelings or contradictory ideas about something or someone
beleaguer (verb) Beset with difficulties
carte blanche (noun) Complete freedom to act as one wishes or thinks best
cataclysm (noun) A large-scale and violent event in the natural world
debauch (verb) Destroy or debase the moral purity of; corrupt.
eclat (noun) An enthusiastic approval
fastidious (adjective) Very attentive to and concerned about accuracy and detail
gambol (verb) Run or jump about playfully
imbue (verb) Inspire or permeate with a feeling or quality
inchoate (adjective) Just begun and so not fully formed or developed
lampoon (verb) Publicly criticize (someone or something) by using ridicule or sarcasm
malleable (adjective) Easily influenced; pliable
nemesis (noun) The inescapable or implacable agent of someone's or something's downfall
opt (verb) Make a choice from a range of possibilities
philistine (noun) A person who is hostile or indifferent to culture and the arts, or who has no understanding of them
picaresque (adjective) Of or relating to an episodic style of fiction dealing with the
adventures of a rough and dishonest but appealing hero
queasy (adjective) Nauseated; feeling sick
refractory (adjective) Stubborn or unmanageable
savoir-faire (noun) The ability to act or speak appropriately in social situations
ambivalent (adjective) Having mixed feelings or contradictory ideas about something or someone
beleaguer (verb) Beset with difficulties
carte blanche (noun) Complete freedom to act as one wishes or thinks best
cataclysm (noun) A large-scale and violent event in the natural world
debauch (verb) Destroy or debase the moral purity of; corrupt.
eclat (noun) An enthusiastic approval
fastidious (adjective) Very attentive to and concerned about accuracy and detail
gambol (verb) Run or jump about playfully
imbue (verb) Inspire or permeate with a feeling or quality
inchoate (adjective) Just begun and so not fully formed or developed
lampoon (verb) Publicly criticize (someone or something) by using ridicule or sarcasm
malleable (adjective) Easily influenced; pliable
nemesis (noun) The inescapable or implacable agent of someone's or something's downfall
opt (verb) Make a choice from a range of possibilities
philistine (noun) A person who is hostile or indifferent to culture and the arts, or who has no understanding of them
picaresque (adjective) Of or relating to an episodic style of fiction dealing with the
adventures of a rough and dishonest but appealing hero
queasy (adjective) Nauseated; feeling sick
refractory (adjective) Stubborn or unmanageable
savoir-faire (noun) The ability to act or speak appropriately in social situations
Monday, October 1, 2012
Vocab Midterm Study Plan
My plan for aceing the vocab midterm is to go back and look at lists 1-7 and write down any of the words that I have forgotten. The words that I do not remember, I will make flashcards and study those a little bit each night until Friday.
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